Browse this section of the archive. Project timelines, multiple views, progress stages, stills and motion remain grouped wherever the source material supports the relationship.
Two records of one hand tattoo are kept together instead of being counted as separate pieces: the red-line construction stage and the completed black skeletal hand.
Three views stay together because they document one placement and one composition. The archive keeps the relationship between front, side and close detail instead of scattering them across a grid.
Memorials, script and smaller linework stay in the archive too. These are independent records unless later media shows they became part of a larger project.
Two views of the same graphic forearm composition are grouped as one record. If a later extension, healed view or earlier stencil/process image appears, it can attach here rather than becoming a duplicate entry.
Two motion records clearly show the same full-arm project from different angles. Both stay together as one sleeve record so any older construction stage or later completion can be added to this same project timeline.
These stay as individual records for now. If later media shows one became part of a larger sleeve, cover-up, memorial build or added composition, it will move under that newer project record.
Three views from the same floral forearm project stay together as one record. Future healed views or later additions can attach to this project instead of creating duplicate entries.
This is exactly the kind of archive relationship we want: the earlier image shows the design/stencil stage on skin, while the later image shows the completed shaded wolf. The finished tattoo leads; the earlier stage remains underneath as process history.
Two views of the same arm composition are grouped together. If a later session extends the project upward or downward, this record can migrate beneath that newer completion while preserving these earlier views.
These adjacent-session images appear to belong to the same paired pet-themed set, so they are kept together for now. If you later identify them as separate tattoos, we can split the record without disturbing the year structure.
These remain independent until a matching later or earlier stage appears. We can refine the exact names after the archive is fully grouped.
Four still views and a motion record all belong to the same forearm project. The strongest still leads, while the remaining angles and video live underneath as the complete project record.
Four still views and one video show the same arm from multiple angles. The full set stays together because the shape, wrap, and negative space make more sense as a moving body project than as isolated photos.
This sequence shows a clear construction path: outline and placement first, then a more developed stage, then the strongest known completed image. The final version leads while the earlier stages remain visible as process.
These remain individual records unless a later upload proves they belong to a larger project. Videos are retained where motion gives a better read than a single still.
